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Erte "The Suitors" New CUSTOM FRAMED Print Art Deco Design

$ 36.96

  • Artist: Erté
  • Edition Type: Open Edition
  • Features: Framed, Matted
  • Framing: Framed
  • Height (Inches): 13.5
  • Listed By: Dealer or Reseller
  • Original/Reproduction: Artwork Reproduction
  • Print Type: Fine Art Print
  • Signed: Unsigned
  • Style: Art Deco
  • Subject: Figures
  • Type: Print
  • Width (Inches): 15.5

Description

ERTE' - "The Suitors" This Artprint is: NEW CUSTOM FRAMED In a Gold WOOD Frame Single Matted in a White Mat with an elegant V-Groove Cut Framed Size: 15.5" x 13.5" Framed in the USA Hanging hardware installed on back Interested in different framing? Contact us! Check out our store for other Erte' images THE FRAMING ALONE IS WORTH OVER $125 Erté , byname of Romain de Tirtoff (born November 23, 1892 , St. Petersburg, Russia —died April 21, 1990 , Paris , France ), fashion illustrator of the 1920s and creator of visual spectacle for French music-hall revues. His designs included dresses and accessories for women; costumes and sets for opera, ballet, and dramatic productions; and posters and prints. (His byname was derived from the French pronunciation of his initials, R.T.) Erté was brought up in St. Petersburg. In 1912 he went to Paris, where he briefly collaborated with Parisian couturier Paul Poiret. He then became a costume designer and began selling his pen-and-ink and gouache fashion illustrations to American fashion houses. From 1916 to 1937 he was under contract to the American fashion magazine Harper’s Bazaar. (A collection of Harper’s Bazaar illustrations was published in Designs by Erté [1976] with text by Stella Blum.) His highly stylized illustrations depicted models in mannered poses draped in luxurious jewels, feathers, and soft, flowing materials against a background of interiors in the Art Deco style. The same lavish style marked Erté’s theatrical designs. For 35 years he designed elaborately structured opening tableaus, finale scenes, and costumes for the French theatre . He worked for the Folies-Bergère in Paris from 1919 to 1930. During the 1920s he costumed the performers appearing in such American musical revues as the Ziegfeld Follies and George White’s Scandals. In the 1960s Erté produced lithographs, serigraphs, and sheet-metal sculptures. His autobiography, Things I Remember,